Ryan Van Winkle’s Crashaw-Prize winning début has been earning glowing reviews.
‘this collection seems to be at the forefront of a shift to something new, it is on the way to a perfection of some new movement…’
- The Glasgow Review
Most recently Isabel Galleymore at Eyewear said:
John Glenday is right to link Van Winkle’s poems to paintings of Edward Hopper’s, and it is possible to extend this comparison to the voyeurism inherent to Hitchcock’s Rear Window (a poem such as ‘The Apartment’ makes this clear just from its form on the page). Yet Van Winkle’s insight into natural, cultural and social processes finds him surprisingly comparable to writers such as Barry Lopez and A. R. Ammons when he describes, at the end of ‘Retrieving the Dead’, how one should ‘lift the soldiers up, try not to breathe till they’re tossed/into our trenches of tea bags, messed diapers, spare parts.’ Indeed, Van Winkle’s poems are not static portraits of men and women framed in windows or doorways, but poems with characters that move within their environments and which, with their histories, move the reader.
Find out why Gutter Magazine called this collection ‘ nothing short of excellent’.
